Peggy CHAN
香港藝術家，工作室現設於香港牛棚藝術村。作品以裝置、攝影及繪畫等多媒介創作，以日常生活體驗與想像為題，表達自身、城市及自然三者之關係。作品多以「藍曬」為媒介，創作過程中作品隨著陽光和時間變化。這種結合天氣與自然，充滿未知變數的創作方式，象徵著我們生命會順環境而改變。其作品曾於北京、上海、巴黎、韓國、台灣、印度、香港及澳門等地展及收藏。陳氏創立慈善團體「藝術到家」，致力藝術教育及社區推廣。
Peggy Chan received her Bachelor of Arts (Fine Arts) degree from the Royal Melbourne Institute of
Technology University, with her studio at the Cattle Depot Artists’ Village (Hong Kong). Her works include
paintings, photographs, videos and installations, inspired by her daily-life and imagination, exploring the
triangular relationship between individual, the city and nature. Cyanotype, the traditional photographic
printing process, has been CHAN’s favourite medium in her recent works. Highly relied on sunlight and
time in the creation process, the works incorporate the uncertainty of nature, and signify how our lives flows
along with the ever-changing environment. CHAN’s solo exhibition include “Hundred Species” (Macao
Museum of Art, 2017); “it’s blue there” (Fringe Club, Hong Kong, 2014); “Blueprint” (Galerie Bievre, Paris,
2013) and “Far Around” - Project Grant (Emerging Artists Scheme) from the Hong Kong Arts Development
Council 2011. She has participated in “Jeonnam International Sumuk Biennale”
（MokPo,Korea2018）,“[En]counters : Bori Bunder” (Mumbai, India, 2016); “The 2nd CAFAM Future
Exhibition” (CAFA Art museum, Beijing, 2015); “Sparkle! After One Hundred” (Oil Street Art Space, Hong
Kong, 2015); etc. Her works have been exhibited worldwide in Macau, Paris, Korea, India, Beijing and
Shanghai; and were selected by Sovereign Asian Art Prize 2020 , CAFAM Future & FUNDAÇÃO
ORIENTE Art Award. Her works are also collected by private collectors. CHAN is the funder of the non-
profit organization‘Art Together’ which promote local visual arts through a wide-ranging activities focusing
on public and community art.www.arttogether.org
Technology University, with her studio at the Cattle Depot Artists’ Village (Hong Kong). Her works include
paintings, photographs, videos and installations, inspired by her daily-life and imagination, exploring the
triangular relationship between individual, the city and nature. Cyanotype, the traditional photographic
printing process, has been CHAN’s favourite medium in her recent works. Highly relied on sunlight and
time in the creation process, the works incorporate the uncertainty of nature, and signify how our lives flows
along with the ever-changing environment. CHAN’s solo exhibition include “Hundred Species” (Macao
Museum of Art, 2017); “it’s blue there” (Fringe Club, Hong Kong, 2014); “Blueprint” (Galerie Bievre, Paris,
2013) and “Far Around” - Project Grant (Emerging Artists Scheme) from the Hong Kong Arts Development
Council 2011. She has participated in “Jeonnam International Sumuk Biennale”
（MokPo,Korea2018）,“[En]counters : Bori Bunder” (Mumbai, India, 2016); “The 2nd CAFAM Future
Exhibition” (CAFA Art museum, Beijing, 2015); “Sparkle! After One Hundred” (Oil Street Art Space, Hong
Kong, 2015); etc. Her works have been exhibited worldwide in Macau, Paris, Korea, India, Beijing and
Shanghai; and were selected by Sovereign Asian Art Prize 2020 , CAFAM Future & FUNDAÇÃO
ORIENTE Art Award. Her works are also collected by private collectors. CHAN is the funder of the non-
profit organization‘Art Together’ which promote local visual arts through a wide-ranging activities focusing
on public and community art.www.arttogether.org
